A taut little thriller.
Starring Guy Pearce, J.K. Simmons, Piper Perabo, and William Fichtner. Directed by Mark Fergus.
When New Mexican salesman Jimmy Starks (Pearce) breaks down in the middle of nowhere -and I can’t emphasize ‘nowhere’ enough- he dawdles around a quaint pit stop while his car is being repaired. After a beer and an attempt to sell a bartender on buying a Wurlitzer, he pokes around and finds Vacaro (Simmons), a man who makes his money telling fortunes. Giving him 15 bucks, Vacaro has a reading that scares himself. Starks is given his money back and sent on his way.
The small seed of Vacaro having a “seizure” while holding his hands is planted in Starks’ head, but he continues dismissing it. It’s all just salesmanship, right? Starks returns to his life with girlfriend Deidre (Perabo) and fellow salesman Ed Jacomoi. When a losing team wins a basketball game and a “predicted” windfall of money really is coming from Dallas, Starks begins to have second thoughts. What was it that Vacaro wasn’t telling him?
Piece by piece Starks begins to unravel. He receives phone calls with no one answering on the other end. An envelope comes in the mail and contains a target that has a few bullet holes in it. Digging through the skeletons in his closet he decides to check up on his old best friend Vincent McClure (Shea Whigham). Vincent was Jimmy’s former partner in a business that was raided by the Feds. Jimmy got free while Vincent went in for three years. Could it be Vincent calling, wanting revenge? Or was it Andy Lopez (Rick Gonzalez), a fellow salesman Jimmy had to fire?
Tension builds as Jimmy makes excuses for work, spying on Vincent and confronting Andy. He makes a special trip out to see Vacaro who tells him that everything will be okay until the ‘first snow.’ Not satisfied with the answer Starks leaves, but continues down his road of madness.
Overall, a good movie. Fergus makes the atmosphere of the film dark, brooding, and tense, and it works. This is a film more about the journey than the actual destination. Is Vacaro right? Or can Starks change the future? I’ll let you find out. While it is true that this does not really add anything to the thriller genre, it’s a worthwhile escape that may make you ask yourself the question, “What would you do if you found out your tomorrows were up?” Fergus may not be Brad Anderson, but at least he’s in good company.
I suggest this one for those interested in mystery/suspense, and for those who like Guy Peacre.
My grade: B